The experience starts outside the plane. We duplicated the scene in order to create the reflection.

The insides of the drawers are completely unlit (only use an emissive texture), for performance reasons. Also, they only spawn when the player interacts with the drawer.

We simulated the lighting and baked it into textures using a Substance Painter filter called Baked Lighting. We also had to manually adjust it and paint some additional lighting in some parts.

The reflections of the wood were very important and the baseline ones weren´t good enough, so our programmers faked them using 360 captures.

An hologram animation showing the flight range of the aircraft.

We traveled to Lisbon in order to take photographic references of the plane and use the photos as textures, such as this phone under the arm rest.

The window blinds can be opened and closed.

We made optimized versions of the elements on screen, and switched between them depending on the player position.
It was a long process, but allowed us to gain some performance.

View from the inside of the luggage compartment.